Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. Millennium Media, Campbell Grobman Films, Seven Stars Entertainment, Lionsgate, Ingenious Media, I Road, Fourteen Films Revenge, Set in Vietnam, Action Thriller, Hitmen, Orphan, Death of a Mentor R for strong and bloody violence, language, some sexual references and brief nudity. September 21st, 2021 by Lionsgate Home Entertainment See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.Īugust 19th, 2021 (Wide), released as ÐšÐ¾Ð´ÐµÐºÑ ÐºÐ¸Ð»Ð»ÐµÑ€Ð° ( Russia (CIS))Īugust 27th, 2021 (Wide), released as A Protegida ( Portugal)ĭecember 1st, 2021 (Wide), released as ë” í”„ë¡œí‹°ì œ ( South Korea)
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The enterprising Anna more than holds her own, with close-up brawls packing much-needed heat in a film that otherwise lacks zest and self-awareness.All Time Domestic Box Office (Rank 5,701-5,800)Īll Time International Box Office (Rank 10,401-10,500)Īll Time Worldwide Box Office (Rank 7,801-7,900)Īll Time Domestic Box Office for R Movies (Rank 1,901-2,000)Īll Time International Box Office for R Movies (Rank 2,301-2,400)Īll Time Worldwide Box Office for R Movies (Rank 2,301-2,400) Combat scenes, left largely to fisticuffs, do offer solid thrills and bear some resemblance to Campbell’s exemplary work in Casino Royale. Of course, in a film where straightforwardness and familiarity are key to its charm, there ought to be some spicy action.
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Anna’s interactions with Keaton’s character, ‘Rembrandt,’ pursued in both combat and flirtation, are particularly odd, feeling less Mr.
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She is played so straight-faced that it denies the film any long-lasting sense of levity. Maggie Q is effective as the skilful Anna, though it is to the detriment of the film that she is never allowed to embrace the bombast of an action star. Jackson and Michael Keaton, each possessing their own gravitational pull, appear on-screen. There is a sense of seriousness that counteracts the film’s infrequent lightheartedness, which becomes apparent when inherently charming actors like Samuel L. Screenwriter Richard Wenk leans into familiar actioner cat-and-mouse territory to the point that the film lacks distinguishable flare. With the past now back to haunt them, the murder-adept pair must reckon with their unsevered loose ends, bringing them into contact with big baddies (Michael Keaton) and past acquaintances (Robert Patrick). Their relationship is wrapped in a loving-yet-unwonted undertone, with the childish-in-demeanour Moody having taken the orphaned Anna under his wing while on a mission in Vietnam thirty years earlier. Take for instance the film’s lead, Anna (Maggie Q) a self-assured bookshop owner who, when she isn’t attending to her rare collection of classic literature (Poe, anyone?), assists her “adoptive” Father Moody (Samuel L. In the world of assassins, the art of deceit means not only getting the job done but a performative means of survival.
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A stacked cast and straightforward story make The Protégé an easy-to-digest romp, though the assassin caper doesn’t live up to the Bond-esque heights of its director, Martin Campbell.įrom the outset, The Protégé sets itself up for big suspense.